Grgo Canvel has it all. A woman who loves him, three lovely daughters, a job that passion. Does the filmmaker and devoted to his work all the time and energy. The family suffers but he understands. He has charisma, Grgo. He produced many films, took many risks and accumulated debts. His Moon Movies bankruptcy. He resists at all costs but the apparent setback, the irreparable harm. Back to the wall, he chooses to leave the scene with extreme action and no explanation. Others, again, the task of understanding.
The second feature, after Tout est pardonné, Mia Hansen-LVE, born in 1981, a past actress Assayas and writing experience to the Cahiers, tells a figurativeto human, that of Humbert Balsan, enlightened producer, committed suicide in 2005. His knowledge of Balsan not such as to oblige loyalty, so the director invents, imagines, from some impressions (his wife in his office the day after the tragedy) and a contradiction of impact between the vitality of the subject in question and his deadly act.
The result is a film about the world of independent filmmaking, extremely precise in the fresco, which excludes any vagueness. In particular, a film about us before the start of filming: the love for the script, the decision to do so, attempts to grow it in the best possible conditions, according to the desire of the director. Almost the director and producer was a mother a father who must find the money, guarantee the existence of the son is not taking on the artistic outcome but increased avr his family. The title, incidentally, speaks bluntly: The father of my fIGLI is the man who made possible the film director (he was the first to believe in his feature debut) and not just his.
From the formal point of view the film tries interesting movements, paying hyper presence of leading the first hour of film and its no time remaining and passing the baton with great fluidity man's wife and then to the eldest daughter, intention to deliver an idea of growth and continuity, rather than arrest. Unfortunately not enough. The father of my children lacks force, settles on a standard building altogether, a director without a script inventions and too modest, light, limit inconsistencies.
Louis-Do de Lencquesaing, excellent in the role of Grgo, aristocratic gesture, weak and complex spirit, feel his absence when there '. This, admittedly, the film hits the target.

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After the Pirates of the Caribbean producer Jerry Bruckheimer takes a mythical game and takes him to the movies. This is officially the first film in the series Prince of Persia, although for many years a source of constant inspiration for the big screen, one for all you can easily recognize in the trailer for the film and the scepter in the shape of the evil Jaffar in cobra Disney's animated film Aladdin.
Prince of Persia: Sands of Time starring Jake Gyllenhaal, the former Cowboys Brokeback Mountain while the experienced director Mike Newell, director of Four Weddings and a Funeral ,a href = "http://www.mymovies.it/dizionario/recensione.asp?id=8111"> and Donnie Brasco Harry Potter and the Goblet of Fire . It then repeats after exactly ten years since Gladiator , an operation planned for launch in grand style of an actor in the Olympus of the stars, Jake Gyllenhaal undoubtedly the center of the film with his biceps buttons and acrobatic scenes in the landscapes Persian as much as Russell Crowe was in the Coliseum digital Ridley Scott.
The fictional story of Prince of Persia were so complex to be transferred in a film that more than three scriptwriters, also called Jordan Mechner, creator of video game. Above him were asked advice about the introduction of new elements in the scriptthat were not going to undermine the code of history. Because if the events are held in a virtual world has paradoxically most need a rationale for.
The study Bruckheimer is still immersed in filming and distributing Disney has ensured that this epic blockbuster action will be ready for May 28, 2010, the official release date in Italy.
Alessandro Berti.