Sicily, 1905. Frederick reluctantly studied medicine and dreams with all my heart to write love stories for the cinema, a wonder of light that reflects life on a sheet. Moved like his countrymen by the magic of cinema, Federico suddenly abandoned his studies and stage manager for Don Gennaro Pecoraro, vicious Neapolitan manufacturer decided to produce a film all its own. Tired of trains arriving at the station and exit of workers from factories, Don Gennaro commissioned the boy discovers a story that itchy 'aspiring actresses and generous pardons. Inspired by the biblical bathroom Casta Susanna Frederick chose to immortalize the meat of the beautiful Marianne, witch cheats illiterate washerwoman and a writer of Turin. The success of the filmcreer many problems leading to the unconscious, additives and disgraced the country at least until u'mbrogghiu nt'o linzolu will not be revealed.
Taken from the novel by Francesco Costa, The cheat sheet in recovers and tells the light of Lumire and wonder who produced the first spectators. Ten years after the first images projected in Paris in the Boulevard des Capucines, cinema landing in Sicily and love to tears peasants, housewives and urbanized province, warned that uncontrollable impulse to get up from chairs to avoid a train to plunge him. Directed by Alfonso Arau ( A Walk in the Clouds ) and produced by and starring Maria Grazia Cucinotta, the cheat sheet in the set in the Italy of 1905, when cinema could finally have a viable, appears ontbsp more refined, a wide and varied repertoire of films, taking their revenge on the spectacle of art varies as to occupy the entire space program, and causing the transformation of many local varieties in actual movie theaters.
Not showing any sense of awe or inferiorit to vaudeville, cinema integrated successfully leveraging, as Gennaro Ernesto Mahieux, itchy and so on shows promising than those offered by dancers and singers from the French name who appeared live . Replaced by females of lights, the star turn of pace and gave the scene an appearance rather than its actual occurrence. The cast of Susan Cucinotta embodies one of those shadows that galvanized the public male tickling voyeuristic curiosity.
Against the backdrop of a land suspended between legends and superstitions, Arau runs a popular melodrama that is expressed in aa didactic and declines (and squandered) the potentialities of the subject nell'ammiccamento itchy and affected. While maintaining a level of sobriety visual, Mexican director fails to infuse vitality to the flows on the sheet.
Storaro's photography is not sufficient to resolve the question of depth and time, however noble suggestions of a modest movie that betrays a clear vocation for television and show little awareness of script or momentum interpretation. An exception is the performance of Ernesto Mahieux and Giselda Volodia, aristocratic beauty to be promoted to leading roles.

Mat policeman at the criminal division. Lonely and tormented character, receives a call from an old friend, Franck, who proposes a plan to divert the dirty money. It could be the turning point in his life or the beginning of an ordeal …
With the high and low polarity, the French detective, is experiencing a new and gold. Caught between the literary references and its glorious history of cinema, the genre has seen a renaissance in recent years both on the big screen and television (with shows such as Braque and Pigalle la nuit). Albeit mediocre, Diamant 13 shows its vitality. This is clearly a film with Olivier Marchal, with and produced by Olivier Marchal Olivier Marchal (who, remember, the director of/ www.mymovies.it/dizionario/recensione.asp?id=35516 "> 36 Quai des orfèvres and the last mission).
However, the director managed by Gilles Bhat, who directed a season of Paris Enqute Criminelle, lack of sobriety, we propose clicks consolidated leaving little room for imagination. Antwerp and Luxembourg seem to Los Angeles and then the script does not forget the jazz clubs, the police corrupt, the commissioner by violent methods (which is dedicated Grard Depardieu, however passionately) and the femme fatale (Asia Argento).
Fewer feelings of a true film Marchal, it seems a little 'one copy less exciting and well built. Yet precisely this lack of original ideas to show the strength of the French detective genre. If the camera moves perpetually like a fiction, the film of a polar Bhat, however authentic, in the literal sense of termine. In complying with all the logic of this kind indicates that this is higher than the particular case.
Diamant 13 then one of those movies where you find everything you're looking for, while leaving the feeling that maybe we could also have something more.